This past week I conducted my
fieldwork/residency at The YOURS (Youth Orchestras United Rita Sima) Project in
Chicago, an El Sistema-inspired program supported by the People’s Music School.
Former Sistema Fellow and Program Director, Albert
Oppenheimer, has been absolutely wonderful at showing me around The
YOURS Project and the great El Sistema-inspired values that they actively apply
with their students, community and parents.
While at The YOURS Project, I was able to
observe the YOURS String Orchestra sectional with intern teaching artist
Annarita, from Loyola, preparing Vivaldi’s Concerto for Four Violins. I
remember being the same age as these YOURS musicians playing this piece and
loving it! Good music is good music!
AHA moment #1:
During my observations, Annarita asked the
ensemble if they wanted to rehearse the piece regardless of some soloists being
absent. With soloists missing, several string players were eager and excited to
play this piece, and energetically volunteered to play the solo part. Instantly,
seating order was rearranged, friends shared music and the piece began! YOURS
students filled in where necessary, sight-reading solo parts and playing
through this brilliant piece!
These students loved this piece and more
importantly loved playing together because they stepped in where necessary for
the sake of the whole group. For them, it was about the music, creating
something beautiful that they could all enjoy and be a part of something
together! The YOURS project is not only developing great musical excellence,
but also supporting and nurturing flexible and well rounded musicians who are
actively challenged as both orchestra members and soloists.
Reflecting on my own musical experience as
a junior high school student, I was never in a group where the orchestra members
were valued as soloists. The flexibility of everyone being both a soloist and
orchestra member was not fostered at the early stages of my musical education.
But to witness the depth and significance of these YOURS string players being
so versatile was inspirational. These “fill-in” musicians were supported and
encouraged to take a shot at being a soloist. It did not matter if the playing
was perfect. These musicians were united playing Vivaldi because it’s beautiful
and good music, but more importantly, they were having fun! Continue reading on Albert Oppenheimer's blog.
Xochitl Tafoya
Sistema Fellow '13
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